Museum of Wisconsin Art Presents Gerit Grimm’s Fairytales:
Sep 26, 2017 10:33AM ● Published by Jim
Gallery: Gerit Grimm [3 Images] Click any image to expand.
The Museum of Wisconsin Art (MOWA) will present the work of Madison-based ceramist Gerit Grimm in Gerit Grimm’s Fairytales: In A Time Neither Now Nor Then. Opening with a party on Saturday, October 7, this is the largest exhibition to date of the artist’s work. Set within a dynamic installation that pays homage to her use of a pottery wheel, five life-sized figures will be joined by pieces from her Tree, Marketplace, Greek Mythology, and Biblical series. Grimm’s refined craftsmanship, vivid imagination, and monumental scale eerily suggest human figures frozen in time and place.
“Gerit Grimm is one of the most original sculptors working in ceramics today, taking traditional depictions and expectations of ceramic figurines and turning them on their head.” said MOWA Director of Collections and Exhibitions, Graeme Reid. “Masterfully crafted on her pottery wheel, with rich historical and personal inspiration, her sculptures tell tales of love, loss and temptation, in ways that are as engaging as they are spectacular. And this is what marks Grimm’s work as exceptional. It’s the expressiveness of her characters and the emotions they convey that are easily relatable to viewers.”
Grimm got her start in ceramics through a pottery apprenticeship in Bürgel, Germany, and then worked as a journeyman potter in Glashagen where she developed a solid skill set within very traditional parameters. Her early work paid homage to Meissen figurines, which are known for their colorful glazes. Grimm increasingly refused to be pigeonholed as a ceramist and she sought to break free of expectations of form, scale, and coloration, obliterating the line between traditional definitions of clay and sculpture.
In 2010, Grimm found a box of discarded clay she didn’t want to waste so she fired it in the kiln without glazing it. She fell in love with its subtle metallic bronze surface, which gave it an almost stone-like appearance. The thought of glazing became anathema as this new surface emphasized its sculptural qualities and conveyed an appearance of moments frozen in time. This was the turning point in her career and she’s never looked back.
Most of Grimm’s sculptures feature human interaction with each figure possessing remarkable individual personality and character. She masterfully blends realism with unique stylization, creating figures that simultaneously appear modern and ancient.
Grimm notes, “My work appropriates historical narrative subjects deriving from fables and myths, and interprets them in forms that have visual and conceptual affinities with contemporary fine art—affinities that allow me to further explore and question the boundaries between pop art, kitsch, and high art.”
This exhibition is organized in collaboration with the Chipstone Foundation. Gerit Grimm is represented by the Tory Folliard Gallery.
The exhibition is on view October 7, 2017–January 14, 2018.
Make it a mythical afternoon at the Opening Party for fall exhibitions. Meet artists Gerit Grimm and Romano Johnson while enjoying live music, light snacks, and a cash bar.
Artist Talk: A Craving for Clay | Thursday, October 19 | 6:30–7:30
Gerit Grimm tells of her lifelong obsession with clay and how it has shaped her life from Germany to Wisconsin. A guided exhibition tour will follow.
Meet the Artist | Saturdays, November 18 and December 2 | 2:00–4:00
Join Gerit Grimm for casual conversations in the Hyde Gallery.
About the Artist:Grimm’s formal odyssey with clay began in 1992 with a three-year apprenticeship at the Altbürgeler blau-weiss GmbH in Bürgel, Germany, where she learned to be a potter in the established German manner, creating specific pots for her company and attending an annual school program on the theoretical aspects of ceramics. She then became a journeyman for the Joachim Jung Company in Glashagen. There, working quickly on a traditional potter’s wheel, she made hundreds of functional objects such as cups, plates, baking forms, teapots, pitchers, and onion jars; there was little room for self-expression.